春日
两岸媒体人走进山西晋城体悟华夏同源_我的网站

一 | 中新社山西晋城8月26日电 (记者 胡健)“品游山西寻根问祖”两岸新媒体采风活动25日至29日在山西晋城举行,两岸媒体人走进炎帝陵、喜镇苏庄、铁佛寺等地,在古建民俗中体悟两岸同源的文化根脉。

二 |

Meanwhile, domestic hit Once Upon a Time in the Middle East has grossed more than 850 million yuan ($126 million), adding to the intense competition for audiences during China's packed summer movie season.
The Odyssey, which had already held limited previews in China, had grossed an estimated 240 million yuan as of Sunday, according to ticketing platform Maoyan. Its projected box office is expected to surpass 700 million yuan, potentially exceeding the 452million yuan Oppenheimer grossed in the Chinese mainland.
The Odyssey is the first feature film shot entirely using IMAX cameras and is being presented in IMAX 70mm at select theaters. Its large-format cinematography and expansive visual style have made the IMAX experience a major selling point for Chinese moviegoers.
Demand for premium IMAX screenings was already intense during the film's previews, with some theaters reporting full occupancy. After its official release, that enthusiasm has shown no sign of easing.
In Beijing, one longtime Nolan fan had been following the film since before its release and had repeatedly tried to secure a seat at the China National Film Museum's IMAX GT theater, one of the most sought-after formats for the movie.
Unable to get a ticket, the moviegoer eventually chose another well-reviewed IMAX theater and paid 180 yuan for a seat, three times the price of a normal seat, that was not particularly well positioned.
The theater was nearly full when the audience arrived, the moviegoers were largely quiet as they waited for the screening to begin. But the large-format presentation delivered the immersive audiovisual experience the audience had been anticipating.
Another moviegoer, Lin Xiao, managed to attend an IMAX screening during the previews and also noted the high attendance. She told the Global Times that audiences had already formed a long line outside the theater before the movie began.
On Chinese lifestyle platform Xiaohongshu, or RedNote, some moviegoers have posted about traveling to other cities because their hometowns do not have IMAX GT screenings. Some have even taken high-speed trains specifically to watch The Odyssey in what they consider a better theater.
Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times that The Odyssey's strong reception and high attendance in China demonstrate that high-quality content, combined with the rare and highly immersive experience offered by premium formats such as IMAX GT, remains a key competitive advantage for cinemas.
The film's strong quality, coupled with its cutting-edge large-format presentation, creates a theatrical experience that cannot be easily replicated at home, showing that when cinemas can offer a sufficiently distinctive immersive experience, the big screen retains its unique social and ceremonial appeal, with audiences willing to pay a premium for such exclusivity, said Zhang.
However, film critic Liu Nandou offered a restrained forecast, predicting its Chinese mainland gross at 300 million to 800 million yuan ($41 million to $110 million).
"Nolan's films have a ceiling," he told the Global Times in a previous interview. "The threshold for understanding The Odyssey is extremely high, and it doesn't fit the broad popcorn audience."
The appeal of premium formats is not limited to The Odyssey. Several films in China's summer movie season have also embraced IMAX and other high-end formats, giving audiences more options for immersive theatrical experiences.
Once Upon a Time in the Middle East, which has grossed more than 850 million yuan at the box office and is projected to surpass 2.5 billion yuan, according to Maoyan, was specially shot for IMAX.
Rather than relying on grand battle scenes, the film is set almost entirely in a small Chinese restaurant in war-torn Iraq in 2003. Played by Shen Teng, Xu Fu is a chef looking to make a living abroad and find a quiet life. But when war suddenly erupts, he and restaurant manager Ma Junsheng, played by Jiang Qiming, choose to keep the kitchen running, serving authentic Chinese dishes and creating a safe haven for local civilians and children amid the chaos.
The film uses IMAX's large screen to present the warmth of everyday life and the details of the restaurant with greater clarity and immersion.
The Odyssey, meanwhile, uses IMAX film cameras to bring the epic scale of Homer's poem to the big screen with sweeping and visually striking imagery. All Wishes Come True! is also available in premium formats including IMAX, Dolby and CINITY, using enhanced audiovisual technology to amplify its visual effects and emotional atmosphere and help drive box-office growth, according to China's state media CCTV.
As more films made for premium formats continue to draw audiences, high-end theaters equipped with IMAX, CINITY and other technologies are seeing increased demand, giving moviegoers a wider range of viewing options.
Film industry experts said audiences are no longer satisfied simply with being able to watch a movie, but increasingly want to "watch a good movie" and "experience a film in an immersive environment."
。 高平是神农炎帝活动的重要区域,保存有全国数量最多、谱系最完整的炎帝古庙、古碑与陵庙遗址群。

三 | 自2016年起,高平已连续举办十一届海峡两岸同胞神农炎帝故里民间系列交流活动,吸引众多台湾同胞及海外华人前来寻根谒祖,成为两岸民间交流的重要平台。 8月25日,两岸媒体人在山西高平喜镇苏庄体验传统婚俗。

四 | 中新社记者 胡健 摄 《台湾好报》记者蔡淑娟到访过山西多次,拜谒高平炎帝陵还是头一次。“炎帝是我们华夏民族共同的祖先,我去过陕西、湖南、湖北很多地方拜谒过炎帝,高平炎帝陵的建筑典雅庄重,给我留下很深印象。”她说,山西文旅资源丰厚,台湾人来到山西不会失望,来过一次还会想再来。 因游戏《黑神话:悟空》而走红的古建铁佛寺,寺内二十四诸天彩塑栩栩如生,如今已成为当地的“流量担当”。

五 | 高平市米山镇副镇长张嘉琦介绍,自2024年8月开放至今,铁佛寺已接待来自44个国家和地区超过58万名游客。

六 | “铁佛寺火爆,既得益于游戏带来的关注度,更源于彩塑本身的艺术高度,大殿内二十四诸天造像,以乖张狰狞的风格、铁泥同体的精湛技艺令世人惊叹。”张嘉琦说。 台湾自媒体人何维霈是第一次到访铁佛寺。

七 | “我知道《黑神话:悟空》,但并不知道取景地就在这样一个隐蔽的村子里。里面的彩塑非常震撼逼真。”何维霈说,“我的很多台湾朋友也玩这款游戏,这次实地探访更能感受到游戏背后厚重的中华古建艺术魅力。” 两岸媒体人还将在锡崖沟、王莽岭、皇城相府、晋城博物馆等地参访,感受晋东南地区的自然风光和历史文化。(完) 【编辑:李岩】。

八 |
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Published on:11:27:24



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